10 X-Men Comics That Lived Up To The Hype


The X-Men have grown by leaps and bounds over the years. At one point, their book was selling so poorly that Marvel relegated it to reprints. Ultimately, Weird X-Men would become the best-selling book in the industry. Its fallout x-menThe first issue would sell more copies than any other comic, and the concept would spawn multiple teams and a solo book.

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Creating some of the most popular characters Marvel has ever released, the X-Men stories have been broadcast to the moon. While some of them failed, many lived up to expectations. These epic stories helped make the team the legend it is today.

ten Amazing X-Men: Ghost Box Is Arguably Better Than What Came Before

Amazing X-Men was a big deal when it dropped, but the run of writer Joss Whedon and artist John Cassaday played it safe. Fans ate it at the time, but the delays hurt the reception. After that team left, writer Warren Ellis and artist Simone Bianchi took over with issue #25 and launched “Ghost Box.”

Dealing with alternate universe mutants attacking Earth, “Ghost Box” proved to be a more savage version of the X-Men than the book was known for. The story eclipsed what came before in terms of writing and art, and it definitely lived up to the hype.

9 Age of apocalypse soared when it could have crashed and burned

The age of apocalypse came as a huge shock to readers in the 90s. Prior to the event, Marvel released cryptic advertisements showing Legion screaming over his father’s coffin with the caption “The end. Because there never was. of beginning.” Comic magazines reported how the solicitations for the X-Men line books had been changed and it looked like the titles were canceled.

Readers became anxious and excited about all that was to come, and The age of apocalypse did not disappoint. It’s still one of the most beloved X-Men stories of all time and has left a large imprint on X-Men history. To this day, it remains a pinnacle for alternate universe storylines.

8 The Rise and Fall of the Shi’Ar Empire Was a Sci-Fi Epic

When writer Ed Brubaker took over Weird X-Men after writing the hit miniseries X-Men: Deadly Genesis, fans were hoping for something big and they weren’t disappointed. Uncanny X-Men: Rise and Fall of the Shi’ar Empire, with art by Billy Tan and Clayton Henry, was a twelve-issue epic that pitted the X-Men against Vulcan as he set out to destroy the Shi’Ar Empire.

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Brubaker was killing it on Captain America and daredevil, so fans had high hopes for his X-Men books. The fact that it kicked off its run with a twelve-part story was ambitious, to say the least, and fans loved it. Rise and fall of the Shi’ar Empire became classic X-Men sci-fi at its best.

seven X-Men: Mutant Genesis destroyed everything before it

1991 was a huge year for the X-Men books. Strength X #1 (by Fabian Nicieza, Rob Liefeld, Brad Vancata and Chris Eliopoulos) had fallen, breaking sales records, and X-Men #1 (by Chris Claremont, Jim Lee, Scott Williams, Joe Rosas and Tom Orzechowski) was on the horizon. Marvel announced x-men predicting it would sell better X Force and they were right.

X-Men #1 sold eight million copies and the first three issues of the book, collected as X-Men: Mutant Genesis, has become an X-Men classic for more reasons than sales. Written by Chris Claremont with art by Jim Lee, the story pits Team X-Men Blue against Magneto and his new minions, the Acolytes. It’s widely considered the best Magneto story of all time, and it shattered all expectations.

6 House Of X / Powers Of X went beyond

To say people were thrilled to have writer Jonathan Hickman join the X-Men books was an understatement. For years, the books suffered from a lack of support from Marvel, as the company kept its A-list creators on other properties. House of X / Powers of X were highly anticipated, making their success even better.

Working with artists Pepe Larraz and RB Silva, Hickman completely redefined the X-Men. Both books created an epic saga, delivering a revolution not seen in X-Men books in years. They’re must-read for any fan and led to the most successful X-Men era since Grant Morrison left Marvel.

5 X-Men: Schism sent the X-Men in new directions

Writer Jason Aaron’s time in the X-Men books is highly regarded, and it all started with X-Men: Schism. Working with artists Carlos Pacheco, Frank Cho, Daniel Acuña, Alan Davis, and Adam Kubert, Aaron introduced a new Hellfire Club and had them target the mutants of Utopia.

The attack on the Hellfire Club caused Cyclops to make decisions that shattered his relationship with Wolverine, a decision that had consequences for all mutants. X-Men: Schism was a big X-Men event that paid off. This changed the dynamic of the team for years to come, splitting the shrunken mutant race in half. Beyond all that, he delivered a quality story, which gave readers everything they wanted.

4 Operation: Zero tolerance is a forgotten gem

It may be surprising how old some X-Men stories get, and Operation: zero tolerance is a perfect example. To cross X-Men, Wolverineand more, the story pits the team against a new anti-mutant government agency, led by the mysterious Bastion.

Operation: zero tolerance was an action-packed story that kept readers on the edge of their seats. What made it so special was that it came at the end of a mostly ridiculed X-Men era. The post-Claremont years had their issues for fans, but Operation: zero tolerance was a pleasant surprise.

3 Uncanny X-Men #360 and X-Men #80 pit the X-Men against the X-Men

Writers Steve Seagle and Joe Kelly took over Weird X-Men and x-men respectively after Operation: zero tolerance. Their race was excellent, Weird X-Men #360 and X-Men #80 standing out from the rest. The two-part story titled “Children of the Atom” depicted an all-new team of X-Men showing up to battle the old-school X-Men, who had whittled down their sprawling roster at the worst possible time.

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Working with artists Chris Bachalo and Brandon Peterson, Seagle and Kelly gave readers an action-packed ride that introduced a great new roster for the team and ended on a cliffhanger they would pay down the line. . The team delivered a story that did more than anyone expected.

2 X-Men/Dark Avengers: Utopia Was Monumental For Post-House Of M X-Men Comics

The Avengers and X-Men barely get along at the best of times, so when Norman Osborn’s Dark Avengers arrived, everyone expected trouble. X-Men/Dark Avengers: Utopia, by writer Matt Fraction and artists Marc Silvestri, Terry Dodson, Luke Ross and Mike Deodato, had a lot of hype behind it. dark avengers was hot and the X-Men in the San Francisco era turned out to be a hit.

The story kicked the San Francisco era into high gear, and in the end, fans had a big change in the status quo of the X-Men thanks to the introduction of Utopia. X-Men/Dark Avengers: Utopia also showed the first cracks in Osborn’s Dark Avengers, setting this storyline toward its inevitable conclusion.

1 New X-Men: E Is For Extinction Was Groundbreaking

Grant Morrison’s time at Marvel was short but brilliant. When it was announced that they would take over x-men and baptize him New X-Men, fans weren’t quite sure what to expect. What they got was more than spectacular. New X-Men: E is for Extinction, with artist Frank Quitely, introduced a whole new status quo for the team and introduced a new enemy, Cassandra Nova.

After the seamless feel of 90s X-Men stories, E is for extinction felt revolutionary. Morrison and Quitely pulled out all the stops, giving readers a story like they never imagined. Full of great moments and cool action, it’s one for the ages and went beyond the call of duty.

NEXT: 10 X-Men Stories We Hope Will Never Be Adapted


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